Making-Up-Adventurers
@Making-Up-Adventurers

Light footed adventurer who is going to take this villain down with the ultimate power - the power of dance.


MiserablePileOfWords
@MiserablePileOfWords

The gaudily dressed bard in the very low cut shirt and poofy trousers flounced into the crepuscular gloom of the Lord of Rot's throne room, deep inside the Miasma, mincing across ancient, chipped tiles, strewn with the dried blood and splintered bones of centuries of fallen heroes... until he reached the centre of the space.

An unexpected, unwelcome splash of colour in the Pit of Despair.
The first in many a decade.

"Is this... a joke?" The Lord Of Rot's sepulchral voice, powerful enough to topple city walls, boomed. The giant spectre haunting this world dwarfed the human, even at this distance.

The bard bowed, his flourish a hypnotic waterfall that seemed to repeat itself forever, leaving behind sparkling motes of light. Piercing green eyes flashed, holding the sucking voids where the Dark Spirit's would be. "Lord of Rot. My name is Diego Félix Gomez Santiago Tony de la Danza, and I have come to destroy you. Prepare to be blown away."

It was hard to place the noise, but it soon dawned on the would-be hero that the rattling was the foul creature's version of laughter. "You?!" More laughter, that slowly faded into silence. "I'm the Lord of Rot, pox upon your pathetic species for millennia, reaper of entire civilisations..." Its voice had reached a contemptuous crescendo, loud enough to rattle the pillars and rain aeons-old dust from the ceiling. "And who... are you?!"

Diego Félix Gomez Santiago Tony de la Danza explosively straightened and smoothly threw his hands in the air, his voluminous sleeves flaring out like butterfly wings. Sudden beams of light reflected off his glistening, bare chest and stabbed out to pierce and rip away the mask of ages, revealing the ancient Pit of Despair for what it was: a crumbling citadel, a relic of a bygone age. A ruin. "I... am the Lord of the Dance!"

It was at that moment that the Lord of Rot realised that the human's feet had never stopped moving since he entered the cavernous throne room, but not just that, they were now moving faster and faster still... and it felt the first tremor of fear in centuries...



caffeinatedOtter
@caffeinatedOtter

"With my new mastery of flesh and genome—"

they'd been friends once, they'd been colleagues once

"With my new powers over form and appearance!—"

so they were both villains, so what, aren't there limits to what that can justify?—

"No doors will be locked to me! Nowhere impenetrable! Nobody safe from me!—"

years of watching the people with powers, with capabilitites beyond human, effortless, while he scraped and sweated over the science to cobble together second-rate imitations, frustrated, exhausted, jealous—

"I can wear every face, every form—"

no fucking shortcuts, not even when he cracked the powers-to-DNA mapping process, how to sequence superpowers, the retroviral therapy to splice them in; because you can't replicate growing up with them, a lifetime of learning to use them—

"The world is my oyster — mine to shuck—"

friends; and couldn't he, couldn't he have asked as a friend, as a colleague, as someone trusted — couldn't he have asked to copy the shapeshifting powers, asked to be taught—

"Mine to swallow alive—"

mapping the neurological activation, the control system, that was so much messier than the DNA; so much screaming—

"Mine."

so much screaming; eyes so betrayed.

He swallows, hating the weakness it betrays, even in a rehearsal to his lonely mirror, and attempts the change. He has all the data he needs, all the data (— as much as he'll ever have, now, it had better be —) and he just needs to flex his flesh in the unaccustomed newly-grown ways—

And in the mirror, he changes shape. Into another fat-fingered toddler's squashy fucking Play-Doh nightmare.

He beats another mirror to splinters.

"I have taken the power," he mutters, eventually, tensing to eject deeply-hammered shards from their temporary, bleeding homes, sealing the injuries after them. "I have taken the power. I have seized the power. I have mastered the power! It's mine, it's mine—"

could have asked; could have accepted help—

"It's mine."



melinoe
@melinoe

The Sun Empress wakes, left cheek scraping on tile, shackled to a blue-bloodied, automatic operating table — crown jewel of the mechanised annex of her Grand Inventor. Alchemical flames lick distant and resplendent at the royal apartments, follies of blue and gold dance on the mirrored masks of its half-clockwork chevaliers, broken on the marble courtyard.

“It would be foolish to hurt me, the XIVth Legion will soon surround this palace. You might still join me, I assure you — the pain is soon forgotten,” she says, with gentle arrogance.

The light is eclipsed by an approaching revolutionary. A red ribbon hair-tie falls limply past shadows that shift without due cause, yet refuse to part from her face; the Empress can see only an uncertain glint in her eyes, of a since-passed storm, and, in her hands, the glass-covered hemisphere of a mechanical mind — the Empress’ own crown jewel.

“No— you can’t mean this,” she says, recoiling, “this— mockery, of enlightenment, of progress: our nation’s destiny. The ruin of a precious mind, to make me the last of them?”

“You wouldn’t be the last,” Red Ribbon says, a disarming mainspring of melancholy.

“Of course— I see. You think you’ll make me a puppet, that I’ll wind-up my legions on words you place on the platter of my tongue.” It would be a mistake, a meek and distant voice says, the legions will never outnumber the uprisings she needs now converts them from. Every mask that slips, each half-recognised face, births another revolutionary.

“I’ll bleed to death on this table,” she retorts, “you’ll never hope to achieve what I’ve done.”

Red Ribbon doesn’t speak; she fractures the silence when the mournfully-clutched hemi-brain slips to the floor, spilling ten-thousand brass wheels, springs, and pinions across the floor. Rune-clad glass shards fall into a drain, fizzling with dying light.

She kneels and takes the Empress’ hands, her own trembling, and even this close, the Empress cannot see her sympathy. Does she mean to surrender? To beg the diplomatic method, that preserves her mind and the subtle features of untouched flesh.

Another revolutionary holds tightly the wrist of a forcefully-invited Duchess, unsure if she is rescued or captured, whom the Grand Inventor intended to work this upon personally.

“What? You wish my blessing, to despoil me? There is no artificer amongst you, I’ll—”

“Your Eminence,” Red Ribbon says. The Empress blinks in shock, and there is an audible ticking in the room. How did such respect purpose itself, from a black-guarded traitress?

“Do you recall who first introduced it to you, the clockwork?”

“Introduced? Invented,” she says breathlessly, “I am their creator!” The Empress was an upset heir, presaged into power upon the sudden Arcane Virulence of 1674; the unblemished royal survivor, then executor of the Imperial Retaliation of 1675 against an accused aggressor who provided bountiful material for the creation of IInd, IIIrd, and IVth Legions.

Red Ribbon gives a painful sigh, and holds a soft, warm hand to the Empress’ right cheek till she stops pulling away. “Okay, so when did you invent it?”

“1673,” the Empress says, curt and suspicious, but indulging in the delaying action. The Empress had been a quiet child, then, and lonely. She was artistic, and not bookish, and shared it with nearly no one — nearly. “One day I knew; I was simply destined for more.”

“Do you remember that day, anyone who might have— witnessed your achievement?” she asks, “Perhaps you woke up to someone — not the handmaid, she was— not there.”

“You had a frequent guest, if you recall; of the mechanists’ guild. Where might he be now?”

The Empress’ gaze flicks from broken clockwork, to Red Ribbon’s skirt — tattered, stained with human blood, alchemised spirit, and clockwork grease — to that only in her mind’s eye; a figure, its face obscured, but a cogwheel sigil-rune at its neck. It was— it was— gone.

“I understand if it’s difficult to remember, your Eminence. It was— a long time ago,” Red Ribbon says, running her other hand through the Empress’ hair. It is barely felt, smooth and unnaturally cold, even though Red Ribbon is sweating in the alchemical heat.

She gestures to someone behind her, and is given a silk tissue with a black mark.

“And this, please— do you remember this?”

The Empress looks, truly intentful. She sees it all around them, in the annex, before she cannot help but blink, heavily, as it disforms. It is— nothing, gunpowder or soot. Some few words gather on her lips, and she tries to speak— tries to speak— tries to— to— to—

Her head is jittering, with a lone eye pinned and screwed to her reflection in a discarded, mirrored mask, elegantly engraved and with red ribbon ties. Whenever it becomes clear she feels her mind whirring slower. And she hears it, the ticking, more wretched each time.

Everyone else can hear it too.

Red Ribbon withdraws, slowly, only letting go when the Empress’ shivering hands are too far away to hold. The clockworks should not understand that anything is different, the little that remains of them subsumed with the dual-power of arcane mechanisms.

Everyone else can see it too.

Where newly bloody and machine-marred glass meets bone and long-scarred flesh, where the left-side of the Empress’ face has been torn, and a half-skull that is gone, replaced with a clicking clockwork mind, a glimmering sigil-rune on its side; the prototypical maker’s mark.

Red Ribbon cannot hear her own sobbing over the ticking, and tries to ask one last question as springs pull and gears lock in a vergingly unbearable tightness.

“And me— do you remember me, Marie?”

The Empress tries to—